Skip to content Skip to sidebar Skip to footer

Who Is the Artist That Painted in the Scene for Left Bank Art

Painting by John Constable

The Hay Wain
John Constable - The Hay Wain (1821).jpg
Artist John Constable
Year 1821
Medium Oil on sail
Dimensions 130.2 cm × 185.four cm (51+ ane4  in × 73 in)
Location National Gallery, London

The Hay Wain – originally titled Landscape: Noon – is a painting past John Lawman, finished in 1821, which depicts a rural scene on the River Stour between the English counties of Suffolk and Essex.[1] [2] It hangs in the National Gallery in London and is regarded as "Constable'south most famous image"[3] and i of the greatest and most pop English language paintings.[4]

Painted in oils on sail, the work depicts as its central feature three horses pulling what in fact appears to be a wood wain or large farm wagon across the river. Willy Lott's Cottage, also the subject field of an eponymous painting by Constable, is visible on the far left. The scene takes place near Flatford Mill in Suffolk, though since the Stour forms the border of 2 counties, the left bank is in Suffolk and the landscape on the right bank is in Essex.

The Hay Wain is i of a series of paintings by Constable called the "six-footers", large-calibration canvasses which he painted for the annual summertime exhibitions at the Royal University. As with all of the paintings in this series Constable produced a full-calibration oil sketch for the work; this is now in the Victoria and Albert Museum in London. Constable originally exhibited the finished work with the title Landscape: Noon, suggesting that he envisaged it as belonging to the classical mural tradition of representing the cycles of nature.[3]

The painting measures 130.2 cm × 185.4 cm (51+ 14  in × 73 in).[5]

History [edit]

Flatford Mill was endemic past Constable's male parent. The firm on the left side of the painting belonged to a neighbour, Willy Lott, a tenant farmer, who was said to accept been born in the house and never to have left it for more than four days in his lifetime. Willy Lott's Cottage has survived to this solar day practically unaltered, merely none of the trees in the painting exist today.

Although The Hay Wain is revered today as i of the greatest British paintings, when information technology was originally exhibited at the Royal Academy in 1821 (under the title Landscape: Apex), it failed to notice a buyer.

The site in Flatford, Suffolk where The Hay Wain was painted, now a tourist destination, in 2010.

It was considerably better received in France where information technology was praised past Théodore Géricault. The painting caused a awareness when it was exhibited with other works past Lawman at the 1824 Paris Salon (it has been suggested that the inclusion of Lawman'southward paintings in the exhibition was a tribute to Géricault, who died early that year). In that exhibition, The Hay Wain was singled out for a golden medal awarded past Charles X of France, a cast of which is incorporated into the picture'south frame. The works by Lawman in the exhibition inspired a new generation of French painters, including Eugène Delacroix.[ citation needed ]

Sold at the exhibition with three other Constables to the dealer John Arrowsmith, The Hay Wain was brought back to England by another dealer, D. T. White; he sold it to a Mr. Immature who resided in Ryde on the Isle of Wight. It was there that the painting came to the attention of the collector Henry Vaughan and the painter Charles Robert Leslie.[6] On the decease of his friend Mr. Immature, Vaughan bought the painting from the former's estate; in 1886 he presented it to the National Gallery in London, where it nonetheless hangs today.[seven] In his will Vaughan bequeathed the total-scale oil sketch for The Hay Wain, made with a palette knife, to the South Kensington Museum (now the Victoria and Albert Museum).[8]

The Hay Wain was voted the second most popular painting in any British gallery, second only to Turner's Fighting Temeraire, in a 2005 poll organised by BBC Radio four'south Today programme.[4] On 28 June 2013 a protester, reported to be connected with Fathers 4 Justice, glued a photograph of a young boy to the painting while it was on brandish at the National Gallery. The piece of work was not permanently damaged.[9]

Information technology has been suggested that the reason for the wagon stopping at the ford was to allow the river water to cool the horses' legs and to soak the wheels. In hot dry out weather, the wooden wheels would shrink abroad from their metal rims. Wetting the wheels reduced the shrinkage and kept the outer metal band in place.[x]

References [edit]

External video
John constable, il carro di fieno, 1821, 04.jpg
video icon Smarthistory – Lawman's The Hay Wain [11]
  1. ^ Alastair Sooke (14 September 2014). "Constable was more than than a reactionary fuddy-duddy". The Telegraph . Retrieved 20 March 2019.
  2. ^ "My Favourite Painting: Sir Jim Paice". Country Life. 30 July 2018. Retrieved 20 March 2019.
  3. ^ a b "Early Six-Foot Stour River Paintings". Lawman's Peachy Landscapes: The Half dozen-Pes Paintings. National Gallery of Fine art. Archived from the original on 4 March 2016. Retrieved 14 October 2013.
  4. ^ a b "Turner wins 'swell painting' vote". BBC News. v September 2005.
  5. ^ "John Constable | The Hay Wain | NG1207 | National Gallery, London". world wide web.nationalgallery.org.uk.
  6. ^ Kay, H. Isherwood (1933). "The Haywain". The Burlington Mag for Connoisseurs. 62 (363): 281–289. JSTOR 865555.
  7. ^ "The Haywain – facts". The National Gallery. Archived from the original on 4 September 2009. Retrieved 26 January 2010.
  8. ^ "The Haywain". oldandsold.com. Archived from the original on 25 August 2010. Retrieved 26 Jan 2010.
  9. ^ "Constable'due south The Hay Wain attacked at the National Gallery". BBC News. 28 June 2013.
  10. ^ Cumming, Robert (i May 2008). Art Explained: The world'due south greatest paintings explored and explained. Dorling Kindersley. ISBN9781405335263 . Retrieved 27 July 2017 – via Google Books.
  11. ^ "Constable's The Hay Wain". Smarthistory at Khan University. Retrieved 21 December 2012.

External links [edit]

Media related to The Hay Wain at Wikimedia Commons

  • National Gallery information
  • "Lawman'due south Studies for the Hay-Wain". Paintings & Drawings. Victoria and Albert Museum. Archived from the original on 26 July 2009. Retrieved 3 April 2011.
  • Constable'southward England, the total text of an exhibition catalogue from the Metropolitan Museum of Fine art, which contains textile on The Hay Wain

fletcherbuse1984.blogspot.com

Source: https://en.wikipedia.org/wiki/The_Hay_Wain

Post a Comment for "Who Is the Artist That Painted in the Scene for Left Bank Art"